WILL KIDS WANT TO SEE IT? It probably won't be on many kids' radar screens, but older teen looking for a well-made and imaginative foreign film will probably like to see it. As she does so and continues in her efforts to help others, she spreads joy through the lives of those she touches. Although he holds down various jobs, Nino's odd hobby of collecting discarded and torn up pictures from photo booths around the city fascinates Amélie and she sets out, in her own imaginative and highly complex way, to finally meet this man. She even tries to brighten the life of her father by having his beloved gnome figure travel the world.Īmélie also decides to cautiously approach Nino Quicampoix (MATHIEU KASSOVITZ), a young man who she sees as something of a kindred spirit and to whom she's attracted.
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Then there's Georgette (ISABELLE NANTY) the hypochondriacal tobacconist at the café whom she slyly fixes up with Joseph (DOMINIQUE PINON), the bitter ex-lover of Gina (CLOTILDE MOLLET), another waitress at the café.Īmélie also decides to help Lucien (JAMEL DEBBOUZE), a friendly man who's always picked on and insulted by his employer, Collignon (URBAIN CANCELLIER), the local grocer, via a series of practical jokes that soon cause the mean man to question his sanity. From that point on, the young woman decides to make it her mission to help others find happiness in their lives.Īmong those she targets is Madeleine Wallace (YOLANDE MOREAU), a longtime widow who still longs for her husband and suddenly starts receiving long lost letters from him, thanks to Amélie. Setting out to return them to their now middle-aged owner, Dominique Bretodeau (MAURICE BÉNICHOU), Amélie revels in the anonymous joy she feels upon seeing him rediscover himself. That changes when she accidentally finds a small, hidden tin filled with childhood mementos in her apartment. Like her painter neighbor, Raymond Dufayel (SERGE MERLIN), known as the glass man for his brittle bone condition that's kept him in his home for the past twenty years, Amélie lives in her own world, observing but rarely interacting with others outside the café where she works for Suzanne (CLAIRE MAURIER), the owner, and serves regulars such as Hipolito (ARTHUS DE PENGUERN), a failed writer. Having lost her mother at a young age and then being raised by her cold physician father, Raphael (RUFUS), Amélie has grown up as an innocent with a vivid imagination.
PLOT: Amélie Poulain (AUDREY TAUTOU) is a young woman who works as a waitress at The Two Windmills, a small café in the Montmartre district of Paris. QUICK TAKE: Subtitled Romantic Comedy: After helping an adult stranger revisit his childhood, a young waitress sets out to help others find happiness in their lives. Your cat may not like it, but hey, you can't have everything.(2001) (Audrey Tautou, Mathieu Kassovitz) (R) But in the moment, this is much more intimate, much more romantic, much sexier. Savor every moment - you only get one first kiss. You carefully, quietly, choose the perfect places to plant your lips, and kiss him there.
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perhaps you're unsure of just how to proceed, perhaps you can't quite believe this is real, that the man of your dreams is standing in front of you in your apartment, just where you were imagining he would be not five minutes ago. The anticipation creeps unbearably high, but you hold back. Just this perfect being standing in front of you. It happens to the best of us, ma chérie!īut when you find the right person, everything else just fades away. He's up there, loudly moaning and pounding away, clearly having the time of his life, and you're down there, unable to keep the smirk off your face because of how ridiculous he looks and/or sounds. She's tried the whole boyfriend thing and. and then providing the answers to no one in particular.īut Amélie herself doesn't have much sex. She amuses herself by posing silly questions.such as: How many couples are having sex at this very moment? Our favorite little Parisian pixie, Amélie Poulain, lives a quiet life. For The Lusty Month of May, we're looking at sex scene each night.
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